Seven Devils New Play Foundry
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Day 1 - Thanks for the transformative power of theater!!!

12/15/2020

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For 29 days we have reminisced, thanked and celebrated the people and organizations whose support, talent and hard work have made Seven Devils possible. So today, on the final day of our Gratitude Campaign, we're turning the bright, hot spotlight of gratitude on the transformative power of Theater.

In this year, when we've had very few chances to gather in person at all, much less go to the theater, we feel the absence of its power to connect us to ourselves, and to each other, all too keenly.

Theater expands our horizons. It makes us laugh; it makes us cry; sometimes it makes us gasp-- all at once --as if we shared a single breath, a single heart, a single hope. And in that moment we do. How else to explain the theater's magical ability to transport us through time and space simply by lowering the lights and then, with minds and hearts open, raising them again on a new, never-before-realized world created by and for the journey we've agreed to take together. 

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This year, we are also reminded of and grateful for the adaptability of theater: filmed Broadway productions, live events streaming from all over, rehearsed readings, High School students sharing their work on-line. As history has taught us, you simply can't kill Theater. Other plagues have tried, but none have succeeded. As long as we have stories to share, and we'll always have stories to share, the Theater will be there.

So, until we meet again in the theater, where we can turn off the house lights and bring up the lights on stage we at Seven Devils will continue to be grateful for the power of theater!

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Day 2 -- Thank you to ALL our donors!

12/14/2020

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It only seems fitting that, as we round the corner and head into the final stretch of our 30 Days of Gratitude Campaign, we spend a day honoring, celebrating and lifting up ALL the amazing donors who have lifted us up for so long. We very, truly and quite literally, couldn't do with this work without you.

One of the greatest gifts we offer playwrights is the opportunity to focus on their work away from the pressures and expectations of a full production. We do this in many ways, including offering work for free; this allows all of us to focus fully on the playwright's work, without worrying about box office receipts. As Jeni often says to playwrights, "there should be no one in the room who has a larger stake in the work than you do." We are able to keep this promise to playwrights, thanks to so many amazing donors who bit by bit, donation by donation, have provided the funding, resources, talent and material support that has enabled us - together - to send a powerful message to the more than 200 playwrights whose work we've been honored to support and develop over the past twenty years: you, your work, your vision matters.  
YES, I WANT MAKE TO A DONATION NOW!
AND, we see the real world impact of our donors in the lives of plays and playwrights. More than 60% of the full length plays developed at Seven Devils have gone on to full productions around the country and around the world. In fact, whether you meet one of our playwright's work at a small community theater, a large regional house or even on Broadway, you too have been impacted by the collective generosity of our amazing donors.  ​

If you happen to be one of our donors, then I invite you to take a moment (or several!) to really reflect on the impact of your gift and many ways in which the ripples of that gift travel into the world, on to stages out to audiences. It is not hyperbole to say that we couldn't do it without our donors - and that's why we've save this very special spot on our countdown list for AMAZING DONORS!

JUST A FEW OF THE MANY PLAYS SEVEN DEVILS DONORS HAVE SUPPORTED!

LEWIS & CLARK REACH THE EUPHRATES by Robert Schenkkan produced by the Infamous Commonwealth Theater (IL)
Eric Coble's THE VELOCITY OF AUTUMN went to Broadway after productions at Arena Stage (DC) and Boise Contemporary Theater (ID)
NEIGHBORHOOD 3: REQUISITION OF DOOM by Jennifer Haley, multiple productions, including Humana Festival (KY), published by Samuel French
I AM MONTANA by Samuel D. Hunter produced by Yaller Skunk (London), Montana Rep (MT) & Mortar Theater (Chicago)
brownsville song (b-side for trey) by Kimber Lee, multiple productions, including Lincoln Center/LCT3, published by Samuel French
AMERICAN MIDGET by Jonathan Yukich was produced at MET Theatre (LA), the NY Fringe Festival and is published by Broadway Play Publishing
LISTEN FOR THE LIGHT by Kara Lee Corthron produced at Know Theatre (OH)
FUENTE by Cusi Cram produced at Cherry Lane (NY) & Barrington Stage Company (MA)
NO MORE SAD THINGS by Hansol Jung produced by Boise Contemporary Theater (ID), Side Show Theatre (IL), published by Samuel French
SPUYTEN DUYVIL by Andy Bragen was produced by Brown/Trinity Playwrights Rep (RI)
VEILS by Tom Coash produced by Barrington Stage Co (MA) & Portland Stage (ME), published by Original Works
IN THE SAWTOOTHS by Dano Madden won the Kennedy Center National Student Playwriting Award, multiple productions, published by Samuel French
INFORMED CONSENT by Richard Brockman produced by Audacious Proof Theatre Company (London)
LEMONADE by Mark Krause, recipient of the Woodward/Newman Playwriting Award, produced by Bloomington Playwrights Project
REVELATION by Samuel Brett Williams produced at multiple theaters
THE FOUND DOG RIBBON DANCE by Dominic Finocchiaro produced by CoHo Productions, published by Broadway Plays
THE SECRETARY by Kyle John Schmidt produced by Curious Theatre (CO) and others
THE MOTHERHOOD ALMANAC produced at Shelterbelt Theatre (NE)
FOUR BEERS by David Van Vleck premiered at Rattlestick Playwrights Theatre (NYC)
UNRAVELED by Jennifer Blackmer, produced at the Clurman Theatre, Theatre Row (NY)

Our 30 Days of Gratitude Campaign is almost over...

BECOME A DONOR NOW!
Remember, when we say that no donation is too small, we mean it.
The bulk of our donations are between $10 and $50.
​We are truly grateful for this large, generous group of donors. 
​
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Day 3 - Thanks to our Devils Advocates!

12/13/2020

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A few years ago, we started a new level of donor supporters we call Devils Advocates. These generous individuals spread their donations throughout the year -- giving a regular, monthly donation as small as $5 or as large as $100 -- and these regular donations are a huge part of making sure we can do everything we need to do to support playwrights and to meet their needs as they develop brave new plays for our world today. 
Our crew of Devils Advocates give us the financial stability to plan for the future of Seven Devils, year after year! By signing up today, you, too, can be part of the process, and part of our future. You'll help us make it possible to help even more playwrights -- giving them the time, the resources and the support to work on new plays on their terms, with the process that works best for them. And, of course, you'll have our heart-felt thanks!
I want to be a Devils Advocate!!!
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Day 4 - Grateful for our Funders

12/12/2020

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Today we're giving a huge shout out to our fabulous funders!

Yes, this is an individual giving campaign, but these family foundations, nonprofit funders, charitable trusts and local, state and national government grantors, make up a critical part of our funding pie. While it's true that most of our funding comes from individual donations (see pie chart here), the support of foundations like these offers important stability to a small organization like ours. It also means we can plan more effectively (fiscally and programmatically) and, let's face it, knowing impressive organizations, like the ones below, have checked us out and decided we're a good investment sends a message to anyone else who may be wondering if they want to make an investment too. Thanks you, Funders!
Make Your Donation Now
Join these funders and donate today to Seven Devils.
​Your support means the world to us.​
I want to be a supporter!
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Day 5 - Thanks to our Sponsors!

12/11/2020

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Several years ago, the Board of Seven Devils decided to reach out to the business community of McCall to deepen our roots in the community. We're pleased to say that these businesses (listed below) stepped up to be sponsors -- either for the conference as a whole, to sponsor a particular conference play, or to sponsor one of our artists. This Sponsorship Program helps with both travel costs and stipends -- a crucial part of providing this opportunity for artists.

We are grateful to these businesses, and not just for their financial support. Over the years our connections to this community has deepened -- and their commitment to us is tangible evidence that what Seven Devils does in McCall is as valued by the community as it is by the artists.

So, today, the applause is to these businesses that have supported us over the years - including some that supported us this year even when the Conference was virtual! Thank you, thank you, thank you!
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Day 6 -- Grateful for amazing audiences

12/10/2020

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One of the tenets of the conference is that the house is always open. Rehearsals and readings are always open to the public (and are totally free!). And -- folks  show up! As the pictures above show, our devoted audiences will show up if we're in a theater, a field, a cafe, a gymnasium -- or even, this summer, online!
We simply can't say enough about how grateful we are that they join us through the process of a play. And, as Jeni says, the audience is in fact part of the process, that when they show up, they work for us -- and that work, that presence, that attention... it matters.
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By donating today, you become part of this community, part of our expanding audience of supporters all across the country. Because of you, we're able to bring you more stories that speak to all of us, stories that matter, stories that stick with us. Thank you!
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Day 7 -- Gratitude for those who go above and beyond!!!

12/9/2020

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Let's be honest: there are some people for whom saying THANK YOU just doesn't seem enough. People who are there whenever you ask -- sometimes BEFORE you ask. We've been truly blessed with volunteers like this.
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Take Gail Vershoor, for example: former board member; nurse on call (oh the stories we could tell!); Healing Touch practitioner who offers free sessions for company members who need some extra help working through a backache, a headache or even just a challenging day; and concessionaire extraordinaire, she bakes, hosts and often manages our concession calendar. But wait. There's more! Gail has done everything from securing a dumpster to taking on management of the Joythi Jorgensen Helping Hands Scholarship Fund, a cause near and dear to our hearts, and the hearts of so many in McCall. AND, to top it all off, she is mom to Ben Verschoor who began working with us in high school as a student playwright (and actor) and recently graduated from Northwestern University's MFA Writing for the Screen and Stage program.

It's not out of the question for her to drop everything to bring a playwright to the ER with a migraine headache. (True story!)

Oh and did we mention that she is an all-around fabulous person and someone we adore? Gail is more than a volunteer (though she is that as well because she does it all for free!): Gail is family. Thank you, Gail!
And of course, there's Laura Williams. The photo on the right says a lot about this amazing lady. Here we come to take a photo of Laura, what does she do? Laura makes sure we get a great shot of the merch, even if it means hiding her lovely face. 

And here's the thing, an amazing thing: we didn't ask Laura to do this. Laura thought it all up and volunteered to do it ALL! She takes on the expense of creating the merch (which often includes tshirts, mugs, notebooks, hats and more!); transports it (did we mention that Laura, formerly of McCall now lives in California?); brings her swag truck at every event and then donates all the profits from this endeavor to Seven Devils!
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We love our conference swag, and just wish we had a photo of Laura's lovely face so the next time you see her, you can thank her too!
The amazing Charlie Taber was with us right from the start. An avid and enthusiastic theater maker; he did it all! He was for many years the Alpine's tech guru and could fix, build, adjust, rebuild, invent just about anything. Charlie made stuff work.

Charlie was also known for his amazing skills at the grill. His salmon was the highlight of our annual welcome cook-out. Over the years, he worked with us an actor, technician and carpenter, he and his equally amazing wife, Thea Belecz, hosted artists and gave of themselves in numerous ways that - large or small - had enormous impact. 

​Charlie was also fighter. He continued to show up and work with us, even as he battled the cancer that - all too quickly and unrelentingly - spreading throughout his body. While Charlie was too ill to actively participate in the 2006 Conference, he did still manage to make it to every, single reading. One of his last trips to the Alpine was to see his daughter JoLynn play the leading role in student playwright Erin Falvey's 
Anything & Everything Concerning the Unsure Diagnosis of a Dead Girl. Charlie told us he wanted to hold on so he could be a part of the 2006 Conference. Two weeks after it ended, Charlie passed on. Even now, Charlie is never far from thoughts. Thank you, Charlie!
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And of course, we must celebrate our gratitude for The Friends of the Devils. This self started group of McCall volunteers, organized by Amy Rush, has hosted numerous benefits for Seven Devils in McCall, raising thousands of dollars and serving as year round community ambassadors for the Conference. And now, there's even a Boise branch of Friends of the Devils volunteers, including playwrights Jenny Sternling and Dayna Smith. They organized the Boise benefit featuring Steve Eaton (mentioned above) in the Riverside Hotel's Sapphire Room. 
We are blessed to have friends like these, and so many more! The list of people who have gone above and beyond is so overwhelming that we could be working on this post for days and still not manage to thank all the amazing people who have come together in friendship and fellowship to make Seven Devils what it is today.
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Day 8 - Thank you to our Guardian Angels!

12/6/2020

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For the past several years, the Seven Devils New Play Foundry Board has given a special award of recognition to one of our supporters and partners who have made it possible to do what we do. No -- more than that, someone who makes our work joyous, and rich, and who brings something special to us.

This post is just for them -- because they've given a great deal to us, and we want to take a moment to acknowledge this huge gift.

2017 - Kit Worthington

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The very first recipient of the our Guardian Angel Award, Kit Worthington, opened the Bistro 45 in McCall just prior to the very first Seven Devils Playwrights Conference. Just a short walk from the Alpine Playhouse, and stashed away from the traffic of Third St, in the courtyard of the Hotel McCall, the Bistro's cozy wine bar vibe, adjacent patio, bocce courts and glittering Christmas lights quickly became the place we went to eat, drink and be merry.

Was it genius, a mutual fondness or optimism that drew Seven Devils and Bistro 45 together? Perhaps we'll never know, but as Kit will often say, Seven Devils and Bistro 45 grew up together. We learned from each other who and what we could be, and how we could each support the success of each other. He has provided us with food, let company members run tabs during the conference, stayed open late so we have a place to go after rehearsal, secured the space we now use as our administrative offices and donated the use of it during the Conference.

​When Kit sold the Bistro, he negotiated the continuance of these practices for us. He wanted to be sure we were taken care of. Our part of this bargain - which we enjoy tremendously - is to eat, drink and be merry with each other and with our audience at the Bistro as often as we humanly can. We can't imagine what the Conference would be without the generosity and spirit of Kit Worthington! 

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2018 - The Board of the Alpine Playhouse

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We were thrilled to honor the Board of the Alpine Playhouse with our 2018 Guardian Angel Award. The Alpine Playhouse has been home to the Seven Devils Playwrights Conference for 20 years. And even before Seven Devils, in the 1990s, it was home to our work as id Theatre. 

But the Alpine is more than just a space we inhabit when we're in McCall. When the Board of the Alpine Playhouse decided, way back in 2000, to donate their theater space to us for the Conference, they did it not as a gift to us, but rather as a gift to the Community of McCall. The Alpine's generosity is truly what makes it possible for us to offer all our work free of charge. Our relationship with the Alpine is the foundation of our relationship to the community of McCall. One of the most amazing things about this relationship is the mutual respect, admiration and gratitude we have for each other. And we each seem to think we got the greatest gift of all: each other.

2019 - Sarah Jessup

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Yes, the very same Sarah Jessup we honored a few days ago as our company photographer. It's hard to overstate the gift of Sarah's work. It is essentially through her amazing ability to capture the spirit of Seven Devils that we are able to share our efforts with the world. Sarah spends hours in rehearsal, she is curious about what we're doing and how she can share it through her skill and talent. She prints and delivers her beautiful photos to us every day. Theater is, by nature, an ephemeral art form. Sarah's photos give us something real and tangible, something that reminds us what we're there to do. What more could a theater company ask for?

2020 - Simon Brooking

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You probably recognize this actor from years and years of readings in the conference. Simon Brooking is not only a gifted and fearless actor, he's also one of the founders of id Theatre, a long time board member and on top of all that, he is a Laphroaig Ambassador, and toastmaster extraordinaire. He has designed and led some truly extraordinary Scotch Tastings for us - both in Idaho and New York City - raising funds and creating long-standing and rewarding community connections. As part of our 2020 Virtual Conference, Simon even taught us all how to make our own amazing drinks at home. We have benefited from his talent and dedication on so many fronts. So Simon, here's a toast to you:
Willie Brews a damn fine scotch, and Rob and Al came to taste it.
Once uncorked, the friends confessed that not a drop will be wasted.
Oh, we’re not drunk. We’re not that drunk. Just a little tipsy.
The day may dawn, work may call, but we’ll still drink our whisky.
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Thank you, Simon, for teaching us about scotch, about generosity, and about remembering to toast each other early and often!
Thanks to ALL our Guardian Angels!
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Day 9 - Thank you to our generous hosts!

12/6/2020

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Imagine our company of playwrights, actors, directors, dramaturgs, stage managers, interns -- all arriving in McCall in June. The question of where all of these artists will sleep is a big one -- and solved only by the HUGE generosity of residents of McCall, who open their homes to us, and become our hosts.
They are technically only asked to provide a bedroom and bathroom for these artists, though they often go above and beyond -- taking artists on boat rides, day trips in 4-seater airplanes, cooking them breakfast on days off. They are truly generous, open-hearted and kind individuals, and give us a home away from home.
Thank you, truly, from the bottom of our hearts!
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Day 10 -- Gratitude (again!) for, and from, our playwrights

12/6/2020

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Another day of gratitude for our playwrights shouldn't be that surprising (we are a playwrights conference, after all!) -- and this fundraising campaign is about making opportunities for playwrights, for giving the time and the resources to work on brave new work. Throughout the campaign, we've received truly wonderful posts of gratitude from past playwrights -- and we're giving over our blog today to them.

Perhaps their grateful words will inspire you to give a small amount, to make sure we can make the opportunities available to future playwrights in 2021 and beyond!​ 
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Alexandra Espinoza (Homeridae, 2019)
The amount of generosity, hospitality, support, and encouragement I received as a playwright at Seven Devils is truly hard to quantify. At every step of the way, in every encounter, I always felt like people (actors, directors, dramaturgs, hosts, organizers) sincerely wanted to to see my play grow, and they trusted me to know when that had happened. It's an experience that anyone who takes the scary step of starting an idea in creative isolation deserves to experience--in many ways the conference made the dream of the play come true. I can only hope I get to be in that space again!"
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​From Ramón Esquivel (¡O Cascadia!, 2019)
 
"Dedicated writing time is such a departure from my usual way of life, but immersing myself completely in the story world allowed me to complete revise my play. How much writing did I do? My script went from 132 pages to 100, and I think I changed something on every single page of the script we read. Not only that, but I had an entire team that was working to support me through rehearsals and informal conversations over meals. For a working artist like me, Seven Devils was a gift, a recognition that my time and talent were important and valuable."
​From Larry Loebell (Girl Science, 2004)
 
I was first invited to Seven Devils in 2004 as a playwright with my play Girl Science. I returned ten times over the subsequent years as a dramaturg. At each of those conferences, I had the pleasure of being in rehearsal rooms with terrific writers, actors, and directors.  I learned something about the art of playmaking from ever one of those experiences.  My playwriting and my dramaturgical practice got better and deeper as a result of working with the amazing artists who assembled at the Alpine Playhouse for the conferences all those summers in McCall. 
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From Michele Raper Rittenhouse (Red Rover, 2009)
 
I worked with some brilliant artists prior to the Seven Devils Conference, but I was constantly bullied on what I should cut, not try, etc.  I felt like a tool to be used rather than an artist with a craft and vision.  And then came Seven Devils. After the first read-through of my play, Red Rover, Chris, and Gay pulled me aside and asked how I felt about the final scene in the play, and if I thought it was needed.  I knew that question was going to come up because I wasn't sure myself until I heard that first read-through.  And my response was, I don't know.  But I do know I feel it needs to be there.  And you all have given me the chance to experiment and find my voice through this story.  So let's keep it in and see what happens.  And it worked.  It was a lesson for me to me and one I pass to my students, use your instincts, and see what happens. 
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 Noah Diaz
(You Will Get Sick, 2020; Motherhood Almanac, 2016)


​"What sets Seven Devils apart from other development conferences is their understanding that new scripts are alive, expanding and unfolding in unexpected ways. I have never worked with smarter, kinder, more creative people and I hate that I cannot collaborate with them on every project. They are a gift."
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​From Patrick Gabridge (Drift, 2017; Flight, 2011)
 
What I’m most grateful for about Seven Devils is the compassion of the people who run it and are part of it. My first stay at the Conference was for my play, Flight, in 2011. Shortly after I arrived, I was already in deep dramaturgical discussions with my dramaturg, Larry Loebell, and getting to know the Bistro, and hiking with my fellow writers. Unfortunately, after just a few days, I got a call from home that my father-in-law had died very suddenly, at our home in Boston. Paula and the other staff quickly helped make the arrangements to get back home to my wife and our kids. The kindness and understanding that permeates the whole Conference in their treatment of new plays and playwrights, was magnified in this moment of personal crisis. They helped make an unbearable situation a little more manageable and I will always be grateful.
 
Of course I’m also thankful that I was able to return with a different play, Drift, in 2017, and it felt like I picked up right where I left off--even though I’d only spent a few days in McCall in 2011, it still felt like the same welcoming community (with great views, hot springs, and ice cream). This time, I got the full Conference experience, relishing every moment. The list goes on. Seven Devils has a special place in my heart.
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From Brian Watkins  (General Store, 2012)
Seven Devils was the first place that I felt my work was truly upheld as the important center of the process. A place where writers would crawl out of their respective isolation, into a light of enthusiasm, and even collective reverence, for the playwright’s work. When I had doubts about my play, Seven Devils countered with creative support. My play left McCall with wind in its sails. For that, I am forever grateful.
​From James McLindon  (Faith, 2008)
The two weeks I spent at Seven Devils were among the best, most productive times of my professional life and one for which I'll always be grateful. It would have been enough to have a first-rate director, cast, dramaturg and other theater artists devoted to helping me discover what my play was all about and how best to realize its potential. But Seven Devils was and is so much more than that: a generous community of artists with whom one stays connected long after one leaves McCall.
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​From Duane Kelly  (The Thing With Feathers, 2009)
 
When I was invited to participate in the 2009 conference, I had been writing plays for eight years or so without gaining much traction in the theatre world. I had little confidence that my playwriting would ever amount to more than a private indulgence.
 
Jeni’s call, asking me to come to McCall, was a pivotal event in my career. It affirmed my life-choice to write plays, and gave me confidence that if I persevered, I could write scripts worthy of professional productions. My time in McCall showed me a responsible, effective play development process. 
 
The result? My plays got better. And there have been real commercial productions.  I have two plays going up at the 2021 Edinburgh Fringe. I am now writing my tenth full-length play. No longer do I wait around for others to embrace and develop my work. I have created a web of dramaturgs, directors, actors, and designers in Seattle that I work with. Five years ago a fellow playwright and I even founded a small theatre company in Seattle that has mounted full productions of our new work.
 
A giant Thank You to Jeni and all the Seven Devils family.
​From Richard Brockman (Informed Consent, 2007)
 
What did Seven Devils actually do?  It let me answer the question, “Am I a playwright?” With an unqualified ‘yes’.  But to say that one is a playwright - that I am a playwright, and that’s it - is absurd.  How many ‘playwrights’ are there in the world?  Playwrights who actually live, work, breath ‘playwright’ from the moment she/he wakes to the moment he/she sleeps, who don’t have to teach, wait tables, dip into savings, raid family trusts, who weren’t Broadway bound by the age of 16?   How many get to be a playwright one hundred percent?   Few.   Very few.  A very lucky few.     
 
Most of us have to find other ways to provide for the roof, the food on the table, the money for a ticket to see a friend’s play.  So, am I a ‘playwright’?  Yes, I am.   Am I a playwright every waking second of the day?   No, but for two weeks one June, in McCall, I was.   And having that gave me the lodestar to know which way lay the dream.  The confidence to say, “Yes, I’m a playwright – but there are other things that I do to feed the parts of who I am.”   The confidence to say, “Yes, I’m a playwright and….”   
 
The confidence to say, “Yes, I am a playwright, and.”
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