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Day 20 -- Thank you, High School Playwrights!!!

11/26/2020

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PictureTira Palmquist mentors David Garrison
Hands down, one of our favorite things about the Seven Devils Playwrights Conference is working with the student playwrights of McCall-Donnelly High School. Their boundless enthusiasm, theatrical ambition and youthful conviction inspires us and reminds us to stay focused on those things that are honest and important and true. They lead us back to ourselves, and as we urge them on and encourage them take the stage boldly, we are reminded that we must do these things in our own work as well.  

Today's post is dedicated to all the high school writers who came to us and who trusted us with their work, so let's hear from them!

The video below was made by Ben Verschoor, one of our former student playwrights who went on to become a Conference playwright and recently received his MFA in Writing for the Screen and Stage from Northwestern University! Congrats, Ben, and thanks to you and all the students who shared their stories with you!

PictureZooming with the High School Playwrights, 2020 Conference
Even a world wide pandemic, that kept us from traveling to McCall couldn't keep us from our commitment to the student playwrights of McCall-Donnelly High School!

With students learning from home, intrepid Literary Manager A.P. Andrews provided the drama program with video lessons and exercises, and a troupe of "best of" mentors provided playwrights with one-to-one support, all of which eventually led to a reading on Zoom.

Some of the many wonderful worlds we've visited,
​thanks to the student playwrights of McCall-Donnelly High School

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Day 21 - A huge thanks to our featured playwrights (Part 2)

11/25/2020

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Okay, okay, we just couldn't resist! This is what happens when you've been honored with an abundance of talented writers, and we couldn't be more thrilled. We're very pleased to share these lovely words from featured playwright James Still, whose beautiful play was developed at the 2018 Conference. Enjoy!
PictureJames mentors high school playwright Abigail Griffith (photo by Sara Jessup)
I had the good/great fortune to be the Featured Playwright with the 2018 Seven Devils Playwrights conference… I had been to Idaho but never to McCall, didn’t know what to expect.  But one thing I knew for sure:  I arrived with gratitude because any and every chance to spend time on a new play of mine is a gift I never take for granted.  This writer’s life is an intense mix of absolute solitude and privacy that gradually/suddenly becomes very public.  I write plays to eventually be shared with audiences, and Seven Devils gave me yet another opportunity to do exactly that.  For sure it’s a vulnerable and thrilling moment in this writer’s life.  So WHO and WHERE I do that with is something I try to be thoughtful about because it matters, the experience lingers, it leaves fingerprints on the play. 

Picturephoto by James Still
When I was in McCall for those two beautiful weeks in June, I had the genuine pleasure of being the houseguests of Bev and Charlie Nightengale.  Their home is beautiful — but it was their welcoming spirits that made the deepest impression on me.  Why is that important?  Before the pandemic I was working as a theater-maker on the road about 200 days/nights a year — so feeling comfortable and welcomed is a big deal to me!  I could go on and on about my gratitude to the director and dramaturg and actors and Jeni and Paula and the Seven Devils staff that made every day happen when I was there… I could also express my gratitude and wonder at spending time with my play in the Alpine Playhouse which was originally a church.  For me, church is theater and theater is church — so that was wonderful too.  But I want to share something a little different here.  My first night staying at Bev and Charlie’s place, I wandered into their backyard which looks out over a beautiful lake framed by an unbelievable sky.  And here I am — this urban guy (with small-town roots) trying to figure out where I was and how the hell I got there.  I was awe-struck by the beauty, by this backdrop that would be my home for two weeks. I could feel myself breathing more deeply, making more space for the experience I was about to have with my new play.  More gratitude.  And then I look up — and I realize I’m not alone.  30 feet away I see a deer.  It looks right at me.  I’m probably holding my breath.  I think I blinked to make sure it was real.  I snapped a photo for proof.  And then this happened.

Deer:  Hello.
Me:   Um.  Hello.

Deer:  Haven’t seen you here before.

Me:  I just arrived.  Am I dreaming you?

Deer:  No.  

Me:  Wow.

Deer:  What brings you to McCall?

Me:  I’m a writer.

Deer:  Ahhh.  You must be here for Seven Devils.

Me:  Uh huh.  So you’ve heard of it?

Deer:  Everyone in McCall knows about Seven Devils.

Me:  Huh.  Are you sure I’m not dreaming you?

Deer:  You’re the writer, maybe you’re writing this as it happens.

Me:  Maybe.  Can I ask you something?

Deer:  Actually I’m in the middle of dinner.  

Me:  Right.

Deer:  Don’t mind me.  I don’t eat writers.

Me:  Good to know.

Deer:  That was humor.

Me:  Also good to know.  OK.  But will I see you again?

Deer:  Probably.  I live here.  Aren’t we lucky?

Me:  Yes.  But — will we talk again?

Deer:  Only if you listen.

Picture
These are James' actual photos!
Picture
And then the deer went on with its dinner.  “Only if you listen…” — that phrase was part of the mixed-tape that became my soundtrack during my two weeks at McCall.  I did a lot of listening.  I listened to my play and I’m grateful for that.  I also listened to people in town, I absorbed images and stories that whistled through the giant trees, I listened to the plays by my fellow writers, and I finally got to listen to my own play with an audience. 

New plays can take their time revealing themselves, it’s an unfolding that is almost always surprising.  I’m grateful to Seven Devils and my time in McCall for the chance to listen.  For this writer, every day is a story, every moment is a moment.  And every ending is another beginning.   But only if you listen.  And so it is with new plays.  It’s all there — but only if you listen.
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Day 21 - Huge thanks to our featured playwrights! (Part 1)

11/24/2020

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Seven Devils Playwrights Conference welcomes playwrights from all stages in their careers, from beginning playwrights (young and old!), to playwrights who can genuinely be considered master craftspeople. We're grateful to them not only because they come to the conference to work on some truly gorgeous plays but also because they often lead special writing workshops that we offer for free to the company and the McCall community! So THANK YOU, featured playwrights! You make the conference amazing for so many people!
PictureKathleen Cahill and Gay Smith, in rehearsal for The Robertassey, 2019
Today's Guest Blogger is Kathleen Cahill.
​Thanks, Kathleen!
 

​
In 2019 I had the good fortune to be invited to Seven Devils Playwright Foundry to work on my play “The Robertassey.” When you write a play, you write at 2 am, and 6 am, and 4 pm and sometimes you forget there’s such a thing as fun. But they haven’t forgotten at Seven Devils. They’re completely serious about the work, but then they don’t forget about the ice cream, sushi, good wine, boat rides, bike rides, walks, conversation –all taking place in this ridiculously beautiful and unique town of McCall, Idaho. Which has a big lake right downtown. Like it was Barcelona and there’s the Mediterranean. That’s an exaggeration of course, but it has that kind of thrill to it. And where I got to meet Jeni and Paula and AP.   And the generous family who put me up in their  little apartment over the garage, which fit me like I was Cinderella and this was the right slipper.   ​

I feel gratitude for the experiences I had at Seven Devils, for my director and my cast, and my dramaturge, and stage manager – I learned from all of them. And I am grateful for Jeni who, in the course of a conversation about nothing very much, would suddenly ask me a question like “would you say your play is a comedy about grief?”  I feel gratitude for what I learned about my play while I was there, gratitude for being in the company of people who love what I love – theatre, language, acting, who believe that the stage is where you step out of the world of artifice and lies, in order to tell the truth. ​

What’s the difference between gratitude and thankfulness?  I looked it up on Google where I read  that  gratitude is a feeling and thankfulness is an act.  I hope my words express my feeling of gratitude.  And here the act:  thank you Seven Devils for everything.

Lee Blessing
Eugene Lee
Elaine Romero with director Amy Rush
Kara Lee Corthron
Robert Schenkkan
Samuel D. Hunter
Eric Coble
Robert Caisley with Christy Montour-Larson
Jessica Huang
Sherry Krammer (right)
Adam Rapp
Caridad Svich with dramaturge Larry Loebell
James Still leading workshop
John Olive
Lee Blessing with A.P. Andrews
Kara Lee Corthron with Jeni Mahoney
Richard Dresser
Eric Coble with Danette Baker
Jeni Mahoney with Samuel D. Hunter
Lee Blessing with Christy Montour-Larson
Kathleen Cahill with Abbie Griffith
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Day 22 - Gratitude for Writers in Residence!

11/23/2020

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Picture
Randy Reinholz, at his table read of Under a Big Sky, 2019
A note from your blog authors!
The Writers-in-Residence program gives us the opportunity to invite writers to Seven Devils to work on a new play entirely on their own schedule, and without any pressure to cast or rehearse their play (though we often hold unrehearsed table readings for them so they can hear their play outloud).

Sometimes, these writers come to McCall with a play idea; sometimes, they come with a few pages already started. Often, like Randy Reinholz, they find that something else happens, and their play is transformed. 

Making these kinds of opportunities is priceless to the writers, and we charge them nothing for the experience. You can help make it possible for even more writers to come to McCall by donating today at www.sevendevils.org. 
Today's Blog Takeover is by Randy Reinholtz!
Thank you, Randy!
(Under a Big Sky, 2019)

It was the beauty of the land, the space to think, and the kindness of the people I encountered at Seven Devils, that empowered me to rewrite a script formerly called Design Sense, that became Under a Big Sky. It was a page one rewrite.  While the character names remained the same, most everything else about the script changed. The former script was heartfelt but clumsy and it had a halting pace.  I needed to be brave to do the work the story merited. 

There were so many talented people all around the conference, I could have easy conversations and become inspired. The local folks were engaging, present, and informed. The acting company was extremely talented. The playwrights had something to say and were pressing at the edges of form to make important points in compelling stories. 

I continue to be grateful for the vision, tenacity and care that the leadership of Seven Devils has gathered together to hold this conference each year. It was wonderful to be a Native playwright, Choctaw to be exact, in a place that was both connected to the land yet the folks who were not Native didn’t require me to explain who I was or what I was trying to do. I was able to focus on the work I needed to get done.

That process takes me back to Idaho again and again, First with the University of Idaho and now with theatre companies in Idaho that want to produce more work by Native American writers.


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Day 23 -- Thank You, Intensive Playwrights!

11/22/2020

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Today's Blog Takeover is by playwright Heidi Kraay
(New Eden, 2014; Kilgore, 2011). Thanks, Heidi!!
​

The first time I was invited to be a playwright at Seven Devils, I was floored seeing my work at the center of attention. As a Seven Devils playwright, I learned that if I wanted something to be done in a certain way on stage I could write it with audacious specificity and IT WOULD THEN BE DONE THAT WAY. I'd been under the impression that the director, actors and designers could change or ignore what I had on the page -- showing fundamental unlearning I needed right quick.

​As a playwright who tries to help others understand that their writer's voice matters and that they have rights, this changed perspective -- no longer shying away from being as direct as I want -- has been essential for me. While I'm grateful to this company for a number of reasons, like being better able to ask intentional questions about my own play before taking it through a development process with others, or being able to lock a draft safe and then play to my imagination's content, learning to trust my words on the page helps me stand stronger as a playwright -- and keeps me working in this art form.
A note from the blog authors!

As Jeni says, every play comes to the conference at a different stage in its development, and every play leaves at a different stage in its development.

At Seven Devils, there are different programs designed for different kinds of processes -- like the Playwright's Intensives, a week of work that focuses on writing rather than staging, which gives the playwrights the opportunity to explore a play on their terms.

​We have such admiration for these playwrights -- and so today's Thank You is to them, for being brave, for being ambitious, for being audacious! You inspire us!

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Day 24 - Gratitude for our conference playwrights!

11/22/2020

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There are so many fantastic playwrights that we've had the joy and pleasure to work with over the past 20 years -- so today, your humble blog writers are turning over the blog to some of our playwrights who've been with us, working on their plays. While they speak of gratitude for the conference, we are, indeed, grateful for them, for sharing their beautiful plays, for trusting us in developing them. So -- get a cup of coffee, and enjoy!
Picture
VEILS by Tom Coash, 2009 Conference
Picture
Playwright Tom Coash
​Gratitude...for some reason this word is making me want to burst into song. God only knows why? I’m definitely not a singer. My voice is decidedly not dulcet even if my thoughts are. Certainly the other patrons here on the coffee shop patio would not be grateful. Or...or...maybe if they knew the Seven Devils New Play Foundry the way I do, maybe they would join in? A joyful chorus of fulsome praise? Les Mocha Miserables? Americano in Paris? My Fair Latte?
​Ok, maybe I’ve had a sufficiency of espresso. Maybe it’s because I’m working on a musical? My first.  My composer/songwriter explained to me that songs in musicals are used to express those emotional moments that are just too big for regular dialogue. When one's heart just has to burst forth with love, with joy, with...gratitude!
From Brian Watkins  (General Store, 2012) Seven Devils was the first place that I felt my work was truly upheld as the important center of the process. A place where writers would crawl out of their respective isolation, into a light of enthusiasm, and even collective reverence, for the playwright’s work. When I had doubts about my play, Seven Devils countered with creative support. My play left McCall with wind in its sails. For that, I am forever grateful."
What does this all have to do with the Seven Devils?

​
Let me sing their praises. I’ll put some musical notes here...♫♪♫... because my heart does swell up and want to burst forth in a snappy show tune when I think of all that Seven Devils has done for myself and other playwrights.

​I've had many wonderful moments with Seven Devils: working on my play, Veils, in 
beautiful McCall, Idaho with an amazing group of theater professionals; backroom readings of my plays at Jimmy’s in NYC; getting to mentor high school playwrights, continual support of my work and career, and most lately, the honor and joy of being accepted to the Board of Directors...♫♪♫...!
This last year has been a dark, dark time in the theater, in our country, in the world. It's been really hard. However, even though theaters have been closed, playwrights (perhaps under the influence of Turkish dark roast and quarantined emotion) have been writing like mad. They need us, a chorus of support, to help raise their voices and get their plays seen and heard.
Seven Devils is one of the very few new play development programs still standing through these hard times. They were able to put up a terrific online residency this past summer and are continually inventing new, imaginative ways to help playwrights of all ages, ethnicities, genders, disabilities, etc. to burst forth in their own unique, heartfelt Songs.

Please, I want to ask you to join me in thanking Seven Devils and all the supporting cast of this valuable endeavor. Sing along with us. Raise your voices, put a spring in your step, dance and donate to the cause! Donate the price of a double mocchiato..or a show tune on Spotify. $5? $10? Or more! It all adds up and is greatly appreciated. Please be grateful...like me...♫♪♫...!
Tom Coash
​
From Ramón Esquivel  (¡O Cascadia!, 2019)
Theatre is about collaboration between artists who are creating an experience for a live audience in a shared space. Playwriting often begins that process, and yet it can feel very lonely. Seven Devils invited me and other playwrights from around the country to join them in a lovely, small, mountain town in Idaho, so that we could do the solitary work of writing in the warm company of others. Hearing the audience's laughter and seeing their tears in the tiny Alpine Playhouse, I felt encouraged to continue working on my play, when I once wondered if anyone would care about it except me. Thank you, Seven Devils, for believing in playwrights."

Playwright Brian Watkins
Ramón Esquivel, in rehearsal for the high school playwrights evening of plays
Director Benny Sato Ambush with Playwright Alexandra Espinoza
Playwright Elaine Romero with Director Amy Saltz
Dramaturg Gay Smith with Playwright Samuel D. Hunter
Playwright Hansol Jung
Dramaturg Tessa La Neve with Playwright Jennifer Blackmer
Dramaturg Gay Smith with Playwright Mary Portser
Playwright Mark Krause
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Day 25 - Gratitude for Days of Rest

11/21/2020

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All work and no play... well, we all know how that sentence ends! It's Saturday, and so it feels right to show some gratitude for the times when we can step away from the hard work of the conference, to rest and recharge. Even better, to rest and recharge in the relaxing waters of a hot spring!
Picture
I mean -- just look at it! Burgdorf is just one of the hot springs around McCall -- and there are even more amazing places to unwind. Getting out on to the lake, going for a hike -- the natural beauty of Idaho is an astonishing background for the conference.
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Day 26! Thanks for the places that nourish us!

11/20/2020

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When we're lucky enough to be in McCall, we're also fortunate to have so many places to gather before and after rehearsal -- for coffee, for a meal, for a glass of wine. It's difficult to name all our favorite places -- but suffice it to say that we don't go hungry or thirsty!   
And so many of these places welcome us by giving our company members discounts -- and so we want to give them an extra thank you! The next time you're in McCall, make sure you stop by one of these great local establishments:
all the places that give us discounts, makes us feel welcome and help us unwind.
  • Salmon River Brewery: http://salmonriverbrewery.com/
  • My Father's Place: https://myfathersplacemccall.com/
  • The Sushi Bar: http://sushibarmccall.com/
  • Cafe 6 Three  4: http://www.cafe6three4.com/
  • McCall Pancake House: http://mccallpancakehouse.com/
  • Toll Station Pizza: https://tollstationpizza.com/
  • McCall Brewery: https://mccallbrew.com/
  • Payette Dream Coffee House: https://www.facebook.com/Payette-Dream-Coffee-House-372670993156764/
  • Fogglifter's 
  • Bistro 45
  • Stax: https://www.staxeats.com/mccall
  • Shanti Yoga Studio: https://www.shantiyogastudio.org/
  • Spa Del Sol:https://www.spa-del-sol.com/
  • The Barn Owl:https://thebarnowlmccall.com/
  • Peak Fitness McCall: https://peakfitnessmccall.com/
  • McCall Lake Cruises: http://www.mccalllakecruises.com/

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Day 27 -- Thanks for space to create!

11/19/2020

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We of course have the Alpine Playhouse as our flagship space, but with anywhere from 4 to 8 plays rehearsing sometimes simultaneously, the need for rehearsal space and meeting rooms multiplies! ​ We're fortunate, then, that we have so many wonderful conference partners that open their doors to us!
Picture
Table read for Under a Big Sky, by Randy Reinholz -- in the High School gymnasium! -- with Sheila McDevitt, Danette Baker, Starr Kirkland , Vinecia Coleman, Tira Palmquist, Randy Reinholz, Jean Bruce Scott, Jeni Mahoney and Jamil Mangan. Photo by Sarah Jessup.
In addition to the McCall-Donnelly High School gymnasium (pictured above), we've rehearsed, set up office space, held workshops and have even had readings in a huge variety of spaces:
  • high school classrooms
  • sometimes the high school cafeteria!
  • Bistro 45
  • Hotel McCall
  • The Carpenter Shop at the Central McCall Historical Museum 
  • the McCall library
  • the basement of Idaho First Bank
  • McCall College
  • Common Grounds coffee shop
  • at Forrester's Club bar (no kidding!!!)
  • The Yellow Couch Youth Center
  • Burgdof Hot Springs 
  • Jeni's cabin

However, no matter what space we're in, we always feel fortunate to be there and grateful to those who open their doors to us.
It was the beauty of the land, the space to think, and the kindness of the people I encountered at Seven Devils, that empowered me to rewrite a script formally called Design Sense, that became Under a Big Sky. It was a page one rewrite...  I continue to be grateful for the vision, tenacity and care that the leadership of Seven Devils has gathered together to hold this conference each year. It was wonderful to be a Native playwright, Choctaw to be exact, in a place that was both connected to the land yet the folks who were not Native didn’t require me to explain who I was or what I was trying to do. I was able to focus on the work I needed to get done. 
  - Randy Reinholz
On "stage" at the Foresters Club
Rehearsing in Jeni's Cabin
Rehearsing in the "Carp Shop" at CIHM
Playwriting Workshop in the basement of Idaho First Bank
Rehearsing at the Yellow Couch Youth Center
Playwriting Workshop at the Foresters Club
An outdoor reading at Common Ground Coffee Shop
Rehearsing at the High School
Rehearsing at the Carp Shop at CIHM
Rehearsing at the High School
Rehearsing at Bistro 45
Rehearsing at the High School
The Office we set up in the basement of the Hotel McCall one year
Reading at the Carp Shop at CIHM
Rehearsing at the High School
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Day 28 - Thankful for an artistic home... even in a pandemic

11/18/2020

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The 2020 Conference... made possible by Zoom!

Even though we weren't able to safely meet in McCall for our 2020 conference, we still had a busy and successful -- and joyful! --  conference. Pictured above is only a fraction of the work we were able to accomplish last June -- thanks to the Zoom platform.

In fact, the 2020 conference played host to our largest company of artists ever! More than 70 artists in 17 states, across 4 time zones worked on plays with 8 amazing playwrights. We were even able to continue our work with the student playwrights at McCall-Donnelly High School (one of our highlights of every conference).

We presented 3 public zoom readings with over 300 audience members attending from 24 states and 3 countries! With audience members stretching from Hawai'i to Belgium, one reading bridged across an 11 hour time difference! But our largest pool of attendees came, as always, came from our home audience in McCall, Idaho. We came away from the 2020 Conference tremendously grateful for the technology that enabled us to extend our reach far beyond anything we could have imagined, as well as the opportunity to connect with the home and heart community we were so deeply missing in McCall. 

Our actors were sent green screens -- you can see them in the photos with our Production Manager, Ed Baker, who helped us all solve our many technical problems -- and Skip Mercier designed virtual backgrounds to bring actors into the same virtual space. (But we'll thank Skip more later!) 

While we of course missed McCall mightily, the marvels of 21st century technology allowed us to have design meetings, rehearse -- and even socialize! (The only thing we couldn't do was have a virtual hot springs trip!)
​
You can read more about the 2020 conference in this lovely article in American Theater, written by one of our conference playwrights and board member Patrick Gabridge!
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